The photograph depicts an intervention with monobloc chairs situated near the Greek-Turkish border. In this context, the sculptural intervention, reminiscent of the endless column, can be interpreted as a manifestation of escape, representing a transitional space or the transgression of boundaries. However, what emerges from this imagery is a profound sense of absence and failure, of a motion going in the wrong direction and a suspension of time that invites contemplation on issues related to exclusion, hope, and the inherent futility present in our world.

Charlotte Masse | Curator, Responsable of exhibitions
DIS-PLACED | Konschthal Esch – Contemporary Art Space, Luxembourg, 2024